Another Ugly Sunset

September 10, 2015  •  Leave a Comment

 I went out early evening yesterday and scouted out a new spot along the Missouri River that I hadn't been to before. The Missouri River is the longest river in North America. The Missouri flows east and south for 2,341 miles before entering the Mississippi River north of St. Louis, Missouri.

This image was taken less than 1/8th of a mile where the Madison and Jefferson Rivers combine to form the Missouri River. The Gallatin river joins it about 1 mile further southeast from where I was.


Rodeo Days

September 07, 2015  •  Leave a Comment

Montana rodeo photography

Yesterday I shot my last rodeo for the year, and as always, I am in awe of the cowboys and cowgirls that participate in the events.

Roping, barrel racing, steer wrestling, bull riding or bronc riding, never let anyone tell you that these folks are not athletes. The livestock like this bull has been bred to be the best bull it can be in the ring. The power and agility of these huge beasts is amazing as well.

In this event, the rider needs to stay on the bull for eight seconds in order to obtain a score. I would bet this would be the longest eight seconds of my life. Not that I could even last two :)

The gentleman on the left in the white shirt is a bullfighter. Their job is to keep the rider safe once he is off the bull, This usually entails stepping between the rider who is often on the ground, and an awfully angry bull. The riders rely heavily on the bullfighters for there is always that moment where the rider, especially if thrown off the bull, is vulnerable to getting hurt.

Enjoy the ride!


Losing Your Memories

July 21, 2014  •  Leave a Comment

When my father passed almost 25 years ago, some of the keepsakes he had was a photo album and thousands of color slides that he shot over many decades. He was a good photographer but because he had to raise a family, photographed a lot of boring, cookie-cutter events that he would sell to the local paper if he was lucky. He also shot weddings and bar-mitzvahs. Those all saw the scrap heap without ever being viewed. What was left was friends, family and memories.

I once tortured my wife and made her sit through a viewing of the slides. I had set up the screen, turned on my dad's old projector and loaded them up. In all honesty, there wasn't enough wine in the house, or maybe the whole city, to get through all of them. But there were these shining moments within the 1000s of fairly mundane slides. Family long since passed, friends, and memories of some sort of event, be it a road trip or just a trip to get ice cream in our old jalopy Ford station wagon.

I paw through the photo album occasionally, probably when I am missing him, and the photos never fail to bring forth some sort of response or emotion from me. All black and white, almost all of them before I came along. It's a time machine of sorts.

In the last 12 months I shot over 10,000 photos. I know people that shoot many more than that as well. They're in digital format obviously because except for the occasional film enthusiast, everyone shoots in digital now. There's a lot of warmth, feeling, and even charm to shooting film, but just like CDs replacing vinyl, digital photography has replaced film for all practical matters.

So what are we going to hand down to our children and grandchildren? Our nieces and nephews?

Most people are one hard-drive or smart phone failure away from losing every photo they have ever taken. History being wiped out in an instant, never to be recovered. 

I have a photo of my dad from 1930. He was five years old. It's really frayed, the paper yellowed, but it's him from 84 years ago. How many five year-olds that have their picture taken today will be able to leave that for their children in 84 years? I would bet that number would be in the 1/100ths of 1% at best.

I have no solution for our short-term hold on history. Maybe take a CD down to your local Walmart once a month and get cheap prints made or do like I, and many photographers do and not only vault your photos but back them up locally as well as to an offsite backup company?

It'll be a shame when the decades are erased by technology.

 

 


You Can't Go Home Again

June 22, 2014  •  1 Comment

A couple of months ago I spent quite a bit of time going through my work from three and four years ago. Some of the images I was still quite happy with, but others I see where I could have done better. Sometimes it was composition, or lighting, or post-processing, other times it was the subject or the circumstance, or as hard as it is to admit, my technical ability that wasn't quite right. This forced me to pare down my galleries and be more honest with myself as to what images I want on someone's wall as an example of my work. I think this type of introspection is a good thing in general.

Of the wildlife images that I felt I could have done better, I can only look forward to my next encounter. There's no do overs with wildlife. Of my landscape work, many will never be even close to repeatable unless I figure out how to manipulate weather and the seasons, but I did realize I could at least go back to the same location and make another attempt.

This is Devil Canyon in Bighorn Canyon National Recreation Area on the Montana/Wyoming border. The first time I was at this spot the month was September, close to sundown and I took what I thought was a real nice image of the canyon. I still like the image and left it in my gallery, but when the opportunity came to re-shoot the canyon, I had to try it again. Only this time it was in early May.

Instead of sparkling blue-green water of the Shoshone, it was brown from the winter runoff. Instead of waiting for the "Golden Hour" before and after sundown, it was early afternoon. But I wasn't leaving without some images, good or bad.

The last time I was at this spot, I took the image hand-held in relatively low light. I picked the best of the shots from that day and processed it until I was satisfied, and like I said, I still like the image. But this time I set my gear up on a tripod, used a remote shutter to minimize any chance of camera shake and fired off about 50 frames while changing focal length, exposure, and focal points. I already knew how I was going to put this image together to get the end result I wanted.

In post-processing I picked five images that varied only by exposure and focal point and blended them together to give you the image you see above. The five images revealed what the shadows were hiding on the left side of the canyon walls and allowed the background to be almost as sharp as the foreground giving a lot of depth to the canyon.

Do I wish I had done this technique the first time I was here? Sure, at least the tripod part. Will I look back at this image in X years and roll my eyes at all the technical stuff that could have been better? I may.

But for now, I'm thrilled with the opportunity to retrace my steps once in a while and see if I can outdo myself.

 

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Stolen

February 27, 2014  •  2 Comments

Late Wednesday afternoon I noticed something on a utility pole that I couldn't make out as I drove by. I turned around and could see that it was an eagle that had met it's demise. I didn't have a camera with me and couldn't quite make out what I was looking at. I assumed that another eagle had attacked it over food or territory. A sad event.

Thursday morning on my way into town, with a camera and telephoto lens, I stopped once again. I immediately realized the poor guy had been electrocuted while he was having his rabbit dinner which he was still clutching in one talon.

One of my friends suggested I call Montana Fish and Wildlife and let them know what I found. I didn't think they would be interested at all seeing the eagle wasn't tagged, but much to my surprise they put me through to a biologist, Claire Gowen, who was very interested. I sent Claire the photo and gave her other information on the location and other details. Claire was very familiar with the area, she even knew there was a mated pair of bald eagles in the area and she was concerned this may be one of them.

Claire told me she would call the power company as it is their responsibility to remove it as well as either upgrade the pole so the birds can't get electrocuted or to add a deterrent so they can't land on it. She also told me that a game warden will be present to take possession of the eagle once they brought it down.

Ms. Gown called me back in a short while to confirm that all the gears are in motion and the proper authorities will all do their job as she had explained. Shortly thereafter the biologist from the power company called me back to thank me and assure me that they will remedy the situation with the poles being dangerous as well as tell me that a crew has been dispatched already. He also seemed very sincere and concerned for the safety.

The game warden met them there, and as it turns out, because the eagle didn't need to have a necropsy performed, the warden was going to bring it to one of the local Native American tribes. The Native Americans still use many parts of the eagle in their customs and they are the only people allowed to legally possess an eagle. So, at least parts of the eagle will live on.

On a personal note, there are many times where just like a newspaper photographer out on beat, I take photos of things that make me sad, or situations I don't agree with, and I have to remind myself that the job of a photographer is to simply document without prejudice.

 

 

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